Download 17 FREE look-up-tables for color grading LOG footage. Inspired by the search for creativity, these LUTs quickly add vibrance to your videos.
Using S-Log2 and S-Log3 with the Sony A6300 (with LUT’s to download). These LUTs are very useful as the color management tools in many applications (like. LUTs for the a6300 (self.SonyAlpha) submitted 2 years ago * by SpaceSandwich_ I've recently started messing with the color profiles for my a6300 but the footage I'm left with is quite flat and I really don't know how to make it look good again.
Wanderlust: the desire to travel. Get these 17 free LUTs for LOG footage, perfect to accentuate your footage from abroad — or even from near home.
These 17 .CUBE files are compatible with a variety of NLEs and color grading programs, including Adobe Premiere Pro CC 2017, FCPX, and DaVinci Resolve. This tutorial will cover these three programs; please consult your manual for other programs.
Download Wanderlust: 17 Free LUTs for LOG Footage
To download the Wanderlust free LUTs, click the button below. These LUTs are free to use in any personal or commercial projects. By downloading, you agree not to resell or redistribute these free assets.
DOWNLOAD 17 FREE LUTS FOR LOG FOOTAGE
Using the 17 Free LUTs for LOG Footage
Unzip the PB-Wanderlust Free Luts.zip file in your download folder. The following steps are for Adobe Premiere Pro CC 2017, FCPX, and DaVinci Resolve. Please consult your manual for other programs.
Using the LUTs in Premiere Pro CC 2017
- In the Lumetri Color panel, open the Basic Correction tab.
- Under Basic Correction , select the Input LUT dropdown menu, and click on Browse…
- Go to the PB – 17 Free LUTs folder and select the LUT of your choice.
Using 17 Free LUTs in FCPX
To use LUTs in Final Cut Pro X, you will first need to download a LUT plugin. For a great free plugin, consider mLUT from Motion VFX.
- Download and install the mLUT plugin from Motion VFX.
- Restart FCPX.
- In the Final Cut Pro X timeline, drag the mLUT effect to your clip.
- In the Inspector, navigate to the mLUT interface, and click Load Custom LUT.
- Go the the 17 Free LUTs folder and select the LUT of your choice.
Using 17 Free LUTs in DaVinci Resolve 12.5
- Open your DaVinci Resolve project.
- Click the Project Settings cog wheel in the bottom right corner.
- Go to the Color Management tab and click Open LUT Folder.
- Drag and drop the 17 Free LUTs .CUBE files into the DaVinci Resolve LUT Folder.
- Close the folders, and select Update Lists in DaVinci Resolve.
- The 17 Free LUTs are now available to select under the 3D Input Lookup Table dropdown menu.
- Select the LUT of your choice, click Save.
Bonus: 35 more free LUTs for Rec 709 footage!
GET 35 FREE LUTS FROM ROCKETSTOCK
The new 24.2 MP Exmor® CMOS sensor raises the bar of imaging performance. Its copper wiring and enhanced circuitry make it possible to lower the wiring layer and boost light collection efficiency, in order to capture low-noise images with a wide sensitivity range up to ISO 51200. The use of copper raises readout speed as well as the potential of advanced 4K and Full HD 120fps shooting.
How do the superior speed, power and efficiency of the BIONZ X™ image processor unleash the potential and sensitivity of the new image sensor? With an algorithm optimized for the new image sensor to provide stills and movies with unrivaled resolution and reproduce greater texture and detail, particularly at mid-to-high ISO settings
With the world's most (425) focal plane phase-detection AF points helping to provide distinctively wide and dense AF point coverage, the α6300 focuses more accurately, efficiently, and reliably on subjects throughout the frame.
The α6300 achieves the world's fastest (0.05 s) AF speed with the enhanced Fast Hybrid AF's integrated autofocusing performance and the uncanny efficiency of the BIONZ X™ image processing engine to handle so much information with astonishing accuracy
For supremely reliable accuracy and tracking stability, new High-density Tracking AF Technology activates AF points to cover the area around the subject with about 7.5 times as much density as the 6000. Only this focal plane phase-detection autofocus function can seamlessly activate AF points and track subjects moving within frame with such unerring precision.
Clearly capture action with high-speed continuous shooting at up to 11fps. Or choose among three speeds up to 8fps, according to the shooting situation, for live-view continuous shooting with very little lag on the EVF or LCD screen, to get the sense of immediacy of shooting with an optical viewfinder.
The α6300 offers focal plane phase-detection AF even when an A-mount lens is mounted using a mount adapter (LA-EA3) from Sony. So you can take advantage of the autofocus system’s uniquely wide coverage provided by 425 focal plane phase-detection AF points, as well as fast, fluidtracking performance when shooting with other lenses as well as E-mount lenses.
The α6300 introduces a high-contrast, high-resolution, high-visibility XGA OLED Tru-Finder™ that reproduces darkness and color in very fine detail, as well as a mode to display images at the higher frame rate of 120fps (100fps), so you can see action smoothly and track it easily on this electronic viewfinder.
4K movie recording in the Super 35 mm format with full pixel readout and no pixel binning allows about 2.4 times as much information as is basically required for 4K (QFHD: 3840 x 2160). Data this rich is, in fact, equivalent to 6K data, so it clearly conveys the ultimate resolution in 4K images.
You can shoot high-quality Full HD footage, even in Full HD 120fps (100fps) high-speed shooting with AF tracking at a high bitrate up to 100 Mbps. Otherwise, the camera can record 4x/5x slow motion movies internally when the frame rate is set at 30p (25p) or 24p.
S-Gamut/S-Log shooting give you flexibility to make more expressive movies by performing color grading in post-production. The S-Log3 and S-Log2 gamma curves feature wide dynamic range (up to 1300%) to minimize whiteout and blackout. The α6300 even offers impressive 14-stop latitude in S-Log3 gamma setting.The camera also supports S-Gamut, S-Gamut3, and S-Gamut3. Cine color space from Sony. *S-Log2 and S-Log3 are premised on processing pictures.
Silent Shooting mode releases the shutter without a sound, even in continuous shooting up to about 3fps with AF/AE tracking, so it's very convenient for shooting indoor performances, outdoor wildlife, and in other situations where silence is essential. To turn this mode on/off more intuitively and less intrusively, assign it to a customizable button.
One-touch remote makes your smartphone or tablet a viewfinder/remote control. One-touch sharing transfers photos/videos to your device for social network site (SNS) sharing. Just install an Imaging Edge Mobile app via Wi-Fi on your NFC-enabled Android device, then touch the device to the camera to connect them. No NFC? No problem. New QR code compatibility can also pair the devices.
Fast Hybrid AF makes movie autofocus exceptionally precise, so it’s especially valuable for 4Krecording. In addition to a very dense phase-detection AF point array, this system in the α6300 features adjustable AF Drive Speed and AF Tracking Sensitivity to help you express more creativity by manipulating focus, as far as conditions and your imagination allow.
You can use autofocus even while enlarging a selected image area on the viewfinder or LCD screen, for finer adjustment of focus, for example. Excellent for macro shooting, when accurate focusing is crucial.
This function maintains focus on a moving subject automatically. Simply align the target frame and the subject to be tracked, and press the center button. If you lose track of the subject, the camera can detect that subject and resume the Lock-on AF function when the subject reappears on the screen.
When the selected AF point loses track of or is not positioned on a moving subject, Expand Flexible Spot function automatically directs surrounding AF points to restore focus instantly on that subject.
Highly accurate Eye AF (available with AF-C) provides consistently useful autofocusing on the eye of a subject, even if the subject is in motion. This reliable tool is extremely effective in ensuring more successful focused portraiture with fewer photo fails.
In addition to plug-in microphones, the camera supports line input from professional-standard audio devices with XLR terminal, with use of a separately sold XLR adapter kit (XLR-K2M/XLR-K1M) that enables connection with various high-end microphones. That way, you can make fine audio setting adjustments and high-quality/low-noise sound recordings worthy of serious movie shooting.
This function supports 4K and Full HD, and allows uncompressed movies to be output to an external recorder or monitor. The image can also be recorded in the camera even while signals are output using this function.
With this function, you can view images with natural contrast while recording in S-Log gamma setting, converting S-Log2 and S-Log3 into ITU709 (800%) gamma for monitoring images, or checking focus while enlarging an image on the LCD screen or viewfinder.
Simplify exposure monitoring, especially when shooting in S-Log gamma setting. Target a video signal brightness level from 0-109%, set a range between +10% and -10% of that value, and zebra pattern indicates areas with that level of exposure within that range. New minimum brightness level setting reliably warns you to avoid blown-out highlights.
With internal frames, rear cover, top cover and front cover constructed of magnesium alloy, the robust, rigid, light body of the α6300 is stronger than that of its predecessors. Designed for solid reliability and steady handling, this compact form readily withstands the rigors of shooting in the field.
Enjoy carefree shooting in tough environments, thanks to comprehensive dust and moisture resistance measures that help prevent water and dust from entering the body. These measures include sealing around the buttons and dials, as well as a protective double-layered structure that tightly interlocks panels and components.
The strength and rigidity of the camera body and lens mount provide an especially solid foundation for mounting and withstanding rugged use with even large, heavy lenses such as telephoto lenses and lenses preferred for movie shooting.
Camera operation can be powered via USB connection to a PC or mobile battery. This conserves the camera battery, extending the length of time that the camera can be used before the battery is depleted. When the camera is turned off, the battery can be charged via the same connection.
For RAW recording, 14-bit RAW output and 16-bit image processing help preserve maximum detail and produce images of the highest quality with rich tonal gradations. The 14-bit RAW (Sony ARW) format ensures optimal quality for later image adjustment (via Image Data Converter or other software).
Prevent blur in a shot of a moving subject by setting a shutter speed at which ISO sensitivity starts changing when ISO AUTO (while in P or A mode, or in Multi Frame NR) is selected.
The first three characters of the file name are now customizable on the camera. The file name starts with 'DSC' by default, but you can change and register the three characters of your choice. This facilitates the photographers to manage the files easily especially when working with multiple cameras in assignments.
Express photographs more creatively with this application download service that lets you add new functions to your camera’s feature set. Choose among Time-lapse for recording images at intervals and combining them, Smart Remote Control for control of settings from a smartphone or tablet, Sky HDR (high-dynamic-range-imaging), Star Trail, Liveview Grading, Smooth Reflection and other apps. Note: Services availability depends on region.
Capture One Express (for Sony) is a free award-winning image editing software that provides high-end image quality RAW development, easy management of your image files, and powerful editing tools. Capture One Pro (for Sony) can be bought for even more editing tools and tethered shooting capability.
This product is compatible with Final Cut Pro X and iMovie.
Elevate your photography with Imaging Edge desktop applications. Use 'Remote' to remotely control shooting; 'Viewer' to quickly preview, rate, and select photos from large image libraries; and 'Edit' to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.